Sunday, 19 June 2016

19 The Unknown ( 1927 )

This  film  was  made  the  same  year  as  the  last  two  but  we  seem  to  have  jumped  light  years  in  terms  of  picture  quality  and  unambiguous  sexual  content  not  to  mention  a  leading  lady  who  is  far  better  known  for  her  performances  in  the  sound  era.

The  film  was  made  by  Tod  Browning  who  was  well  known  for  pushing  the  envelope  in  his  films. It  stars  Lon  Chaney  as  a  thief   with  the  perfect  cover ; he  is  also   Alonzo  the  Armless  in  a  travelling  circus. His  act  consists  of  shooting  and  throwing  knives  at  the  ringmaster's  daughter  Nanon   ( Joan  Crawford )  with  his  feet  while  his  arms  are  hidden  in  a  body  brace . She  is  sexy  but  frigid   giving  the  come-on  and  then  shrinking  from  strong  man  Malabar ( Norman  Kerry )  and  hanging  round  Alonzo  because  she  believes  he  has  no  arms  with  which  to  paw  her. Alonzo  becomes  obsessed  and  goes  to  increasingly  desperate  lengths  to  possess  her.

Despite  the  lack  of  sound  this  is  totally  gripping  from  start  to  finish  ( an  economical  53 minutes )  with  an  amazing  performance  from  Chaney  even  though  the  stunts  with  his  feet were  achieved  by  camera  trickery  rather  than  his  yoga  abilities.  Crawford  and  Kerry  too  are   excellent  as  the  other  sides  of  the  love  triangle.

Joan  Crawford  ( as  Nanon )

Sex :  While  Alonzo  is  away  Nanon  overcomes  her  frigidity  and  becomes  engaged  to Malabar. When  Alonzo  returns  she  leaves  Alonzo  in  little  doubt  that  they  are  already  having  sex.

Alonzo's  act  involves  stripping  Nanon   to  a  bra  and  tight  pants  which  becomes  Joan's costume  for  the  first  five  minutes. She's  dressed  provocatively  throughout  the  film  and  is  in another  bra  and  thin  skirt  for  the  climax.

Death :   Survives


Joan  of  course  went  on  to  be  a  major  film  actress  although  she  didn't  return  to  horror  until much  later  in  her  career  when  she  could  no  longer  be  considered  a  girl. She  was  rarely  this scantily-clad  again.

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