This one isn't quite in the same league but it's worth watching if you can take John Barrymore's over-ripe performance in the title role with his multiple accents and gravity-defying beard. Based on a Gothic horror novel it concerns a self-regarding but unrecognised Polish pianist looking for a singer to propel him to fame and riches. He finds what he is looking for in Trilby O Farrell ( Marian Marsh ) an artists' model and uses his real talent - hypnosis - to bend her to his will. There's a central flaw in the narrative that a girl like Trilby would probably be amenable to stardom and wealth without being hypnotised but it's still a decent horror film. It was so successful that Warner Brothers quickly signed the pair up for a similar film, The Mad Genius , before the year was out .
Marian Marsh ( as Trilby )
Sex : Hmm, there's a lot of innuendo around Trilby. Svengali insinuates that Trilby has slept with many of her employers and persuades her that she is unworthy of her boyfriend Billee ( Bramwell Fletcher ). Later in the film though Svengali's words are open to the interpretation that they haven't had a sexual relationship because his spell cannot make her love him.
In one scene we see Trilby at work apparently posing in the nude for a room full of artists. Even without the benefit of the pause button , the obvious difference in skin tone suggests she's posing behind a prop torso and when she runs away on seeing Billy she's clearly wearing a white dress . However we do see her bare-shouldered.
Death : Svengali's spell has the power to force her to die with him ( he's suffering from a heart condition ) at the film's conclusion.
Marian's real name was Violet Krauth , the daughter of a German chocolate-maker based in Trinidad. She was a successful actress who knew her own mind and retired from acting in 1959. She set up a conservation charity in the 1960s and died in 2006 aged 93.
Carmel Myers ( as Madame Honori )
Sex : It's hinted that Madame Honori has been Svengali's mistress but without money or talent he's no longer interested in her.
Death : Drowns in the Seine ( offscreen ). It's left ambiguous whether this is an act of free will after Svengali's rejection or under the compulsion of Svengali's spell.
Carmel had been a big name in the twenties as a silent screen vamp but was at the tail end of her film career here. She later dabbled in real estate and a perfume company before a brief TV comeback in the early seventies. She died in 1980 aged 81.
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